Niki N. Phaser

                With a Soundgarden reunion in the works, this is a good time to take a look at one of their non-single masterpieces. It’s no wonder that they agreed on this comeback only if all the original members would be in it, considering that each of them had an essential contribution to what this band is. Head Down, from their breakthrough album, Superunknown, is penned by bass player Ben Sheperd and, though in the neighbourhood of such classics as Black Hole Sun or Spoonman, it stands out as an unique sound and feel. It has the schizo riffs and the chainsaw guitars that defined Soundgarden and helped Soundgarden define grunge, but Chris Cornell’s possessed vocals and the ambiguous lyrics create the feeling of your little devil standing on your shoulder and whispering f#%^ed up shit in your ear: “We see you try, We see you fail, Some things never change”. The constant use of the first person plural enhances the impression that these demons are watching you, ready to settle in your body at any moment. The drumming filled with crashes, the absence of a genuine chorus, they back-up the evil chant quality of this prog-grunge masterwork.

HEAD HERE

           Ladytron are one of those bands that seem to engage in a world of their own, that have such a well-defined sound that it’s impossible for their music to ever be outdated. Sure, we can call them synthpop or new wave or synth punk or whatever, but we all (those familiar with the band) know that labeling them is nothing but a convention. Any of Ladytron’s albums could testify for that, but I have to admit that Witching Hour has something slightly more mythical to it, maybe because you can find the band’s best stuff on it. Destroy Everything You Touch is, of course, the first to come to mind, but you can’t leave out Beauty *2 or the eerie good mood of White Light Generator.

             International Dateline has an unique sense of immediacy, while being as melancholic as lovers saying goodbye in the wintertime. The punkish beat will make you expect someone singing “Here comes Johnny, he’s gonna do another striptease”, but that’s just one of Ladytron’s area of expertise: raw energy administrated through delicate means. This track will make you think of endings, but endings you don’t want to end. Facing the silence at the end of these four minutes is always desolating.

LET’S END IT HERE

               Yes, I gave in and embraced the cliché of making ‘best of the year’ tops. Still, ‘top’ is a strong word, it sounds so… hierarchical, so definite, things that can be calculated with numbers. Artistic value has a lot to do with the moment. While I’m listening to a great song and I’m really feeling it, I’m not thinking “This song is slightly less wonderful than another great song”. Music is not a sport. When it comes to art, each individual is the judge. Music is the place where the mind and the heart meet, it has nothing to do with other people’s opinions. You should also know that some of the songs from this list might be released as singles in the future, so read the date when this was posted before sharing with your friends… Ok, enough with this mumbo-jumbo, let’s see who made to number 1, people!!!!!

11. Morrissey – It’s Not Your Birthday Anymore

His recent albums are pretty far from the fresh outta The Smiths stuff. I’m talking about the music, because the lyrics have always been briliant – the guy just can’t be topped when it comes to editing ideas into the most simple and yet poetic words. It’s Not Your Birthday Anymore it’s one of the most powerful songs he wrote in years, talking about how politeness and hypocrisy have nothing to do with one’s expression of love: “All the gifts that they gave can’t compare in any way to the love I am now giving to you right here right now on the floor”. LISTEN

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