Niki N. Phaser

               Yes, I gave in and embraced the cliché of making ‘best of the year’ tops. Still, ‘top’ is a strong word, it sounds so… hierarchical, so definite, things that can be calculated with numbers. Artistic value has a lot to do with the moment. While I’m listening to a great song and I’m really feeling it, I’m not thinking “This song is slightly less wonderful than another great song”. Music is not a sport. When it comes to art, each individual is the judge. Music is the place where the mind and the heart meet, it has nothing to do with other people’s opinions. You should also know that some of the songs from this list might be released as singles in the future, so read the date when this was posted before sharing with your friends… Ok, enough with this mumbo-jumbo, let’s see who made to number 1, people!!!!!

11. Morrissey – It’s Not Your Birthday Anymore

His recent albums are pretty far from the fresh outta The Smiths stuff. I’m talking about the music, because the lyrics have always been briliant – the guy just can’t be topped when it comes to editing ideas into the most simple and yet poetic words. It’s Not Your Birthday Anymore it’s one of the most powerful songs he wrote in years, talking about how politeness and hypocrisy have nothing to do with one’s expression of love: “All the gifts that they gave can’t compare in any way to the love I am now giving to you right here right now on the floor”. LISTEN

  (continue reading…)

               Alice Cooper is best known for… almost everything he does, his name being one of the quintessential pillars of heavy-metal. His 1991 album, Hey Stoopid  (the title refers to drug addiction), didn’t receive as much attention as his 80′s work, probably because of the grungy circumstances of those days. But, when you draw the bottom line, you realize that the album contains some of the master’s most recognizable hits, like the title track, Feed My Frankenstein or the symphy Might As Well Be On Mars.

                The horror-like intro (phasy pads, high piano keys, door effects), the classic whiny guitar solos suitable for hair metal ballads, they extend the song to a seven minutes length, but it all goes so fast, as if you are listening to a three minutes no.1 pop hit. Might As Well Be On Mars is what you would call a classic heavy ballad: it’s about love, heartbreak, alienation (as the title suggests), but from that ‘tough guy with long hair’ perspective: “You’ve, turned my world into a dark and lonely place, Like a planet lost in space”. It’s torch song for biker chicks, yes, but of the best quality. If you are familiar with Cooper’s Poison, you can expect the same kind of big loud, but romantic chorus, that anchors the track in mainstream and makes it appealing to non-rockers.

MIGHT AS WELL LISTEN TO IT

        With 2005′s Demon Days, Gorillaz evolved from a corky-but-cool experiment of Damon Albarn’s to a mainstream, chart topping venture. And it’s no wonder, considering that Feel Good Inc. became such an anthem of this decade. So did Dare. It was a bit of a surprise that the album’s second track, Last Living Souls, was disregarded as a single. It’s not as bassline infectious as Feel Good Inc., but there are plenty of catchy synths to make you love the song at first contact. Albarn’s vocals have that brit boredom in them, that should be familiar to Gorillaz fans. There is also an interesting 70′s American folk moment in the middle. The lyrics, well, they complete what Feel Good Inc.‘s video started — the song gives you the impression that someone is discovering a new world (but takes the time to smoke a fag before exploring). You might not get the urge to dance to this tune, but you will want to walk in a really cool way while it’s whispering in your headphones…

LAST LIVING SONG