Niki N. Phaser

              Being the sweetest lady ever, Fiona Brice, Placebo’s strings arranger for their last two albums and side member for their Battle for the Sun tour, was nice enough to give us an interview regarding her journey with les enfants terribles of alternative rock. A special thank you goes out to her for doing this.

Niki Phaser: Battle for the Sun is the second Placebo album, that you’ve worked on, after Meds. How did you first meet the band and got to collaborate with them?

Fiona Brice: I have known the band socially for many years because we have several friends in common in London, and we used to meet at gigs before Placebo became hugely successful and their tours took them away for long periods. Brian remembers seeing me playing violin with Michael J Sheehy about 10 years ago at the 12-bar club in London. At the time I was playing and writing with various bands, including Dream City Film Club.  Coincidentally I was also in the band Tram for a while, and Bill Lloyd was in this band before me!   Small world… But our musical paths didn’t officially merge until the band decided to use strings on the Meds album.  They asked me to write with them, and we found musical material and a sound that could add something to the songs without overpowering them.  It worked well and after this I collaborated with Stefan on the strings for the Hotel Persona album.

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           Well, I have to say I stand corrected… After complaining that Placebo have a well-defined singles M.O., I’m pleased to see that the recently EMA Best Alternative winners have decided to take a slightly new direction by choosing Bright Lights as their new single from Battle for the Sun.

            It’s one of Placebo’s more  (if not the most) upbeat and bright-sounding tracks and they haven’t got too many of those, at least, not in such a mainstream sense of the word. Besides being a different sounding Placebo, Bright Lights is also an interesting lyrical work for Brian Molko. Thematically, this is for him what Ashes to Ashes was to Bowie — a cynical and ironic look at his “crazy livin”’. It feels as if, for the first time, he doesn’t hide behind a character anymore and acknowledges his real life persona, expressing regret over the choices he has made (speaking a lot about his life in the early days, thus distracting the attention from the music).

             The Heroes for Zeroes-directed video is also in tune with the song, as it starts with a dark setting only to end with Placebo playing on a background of blue skies — the journey from darkness to light that Battle for the Sun supposedly embodies. The single version of the song is slightly different than the album, as it features backing vocals by Val Etienne & Hazel Fernandes (Kylie Minogue, Jamiroquai).

BRIGHT LIGHTS VIDEO

Placebo’s Brian Molko has confirmed that the next single off of Battle for the Sun will be the three and a half minutes The Never Ending-Why, which is already a live favourite. The video has been shot and the official release date will be September 7. Considering that the first single from their sixth album was the dance-indie friendly For What It’s Worth, this choice sadly confirms that Placebo aren’t too brave when it comes to singles. After repeatedly stating that Battle for the Sun is a dramatic change in their evolution, more upbeat and optimistic tracks like Bright Lights or Kings of Medicine would have been an appropriate way to back those statements, singles-wise.

The Never Ending-Why, just like For What It’s Worth, will be pleasing the band’s niche, but not necessarily their faithful fanbase, as many music critics would think. The fans already own the album and for them a single is not an encounter with new material. They already have their favourites and an opinion on the whole thing. So, The Never Ending-Why, which is quite a great rock song by the way, is more about pleasing that segment which stands in between: they are acquainted with Placebo, but know only the singles (and maybe this time they’ll buy the album). In all probability, this song will not be a turning point in the band’s history and will not win them a lot of new followers. Songs like the two mentioned before or Speak in Tongues are reaching to a wider audience and could display the more complex side of Placebo, if released as singles. The future is wide open.

SEE PLACEBO PERFORM The Never-Ending Why LIVE