Niki N. Phaser

Tag: d’n'b

Best Non-Single Masterpieces of 2009

by Niki N. Phaser on Dec.16, 2009, under Non-Single Masterpieces

               Yes, I gave in and embraced the cliché of making ‘best of the year’ tops. Still, ‘top’ is a strong word, it sounds so… hierarchical, so definite, things that can be calculated with numbers. Artistic value has a lot to do with the moment. While I’m listening to a great song and I’m really feeling it, I’m not thinking “This song is slightly less wonderful than another great song”. Music is not a sport. When it comes to art, each individual is the judge. Music is the place where the mind and the heart meet, it has nothing to do with other people’s opinions. You should also know that some of the songs from this list might be released as singles in the future, so read the date when this was posted before sharing with your friends… Ok, enough with this mumbo-jumbo, let’s see who made to number 1, people!!!!!

Years of Refusal11. Morrissey – It’s Not Your Birthday Anymore

His recent albums are pretty far from the fresh outta The Smiths stuff. I’m talking about the music, because the lyrics have always been briliant – the guy just can’t be topped when it comes to editing ideas into the most simple and yet poetic words. It’s Not Your Birthday Anymore it’s one of the most powerful songs he wrote in years, talking about how politeness and hypocrisy have nothing to do with one’s expression of love: “All the gifts that they gave can’t compare in any way to the love I am now giving to you right here right now on the floor”. LISTEN

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Various Artists – The Jackal

by Niki N. Phaser on Nov.09, 2009, under Soundtracks

The Jackal OSTAs the image indicates, this review is about the Music from and Inspired by The Jackal soundtrack of the 1997 action thriller, starring Bruce Willis and Richard Gere. This “discrimination” doesn’t mean that the other album, containing Carter Burwell’s score should be disregarded. In fact, some of the tracks from there would fit inconspicuously on this album, Burwell being one of the most versatile film composers of the last two decades. His slick combination of electronica and a traditional score creates the real sonic trademark of the movie. That and, of course, the opening track, Massive Attack’s Superpredators, which sets the tone for the violence that is to follow and creates a memorable title sequence in the process.

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