Niki N. Phaser » electro

Ladytron – International Dateline : L.S.G.I.T.W.

Niki N. Phaser — Mon, 04 Jan 2010 16:05:18 +0000

Ladytron are one of those bands that seem to engage in a world of their own, that have such a well-defined sound that it’s impossible for their music to ever be outdated. Sure, we can call them synthpop or new wave or synth punk or whatever, but we all (those familiar with the band) know that labeling them is nothing but a convention. Any of Ladytron’s albums could testify for that, but I have to admit that Witching Hour has something slightly more mythical to it, maybe because you can find the band’s best stuff on it. Destroy Everything You Touch is, of course, the first to come to mind, but you can’t leave out Beauty *2 or the eerie good mood of White Light Generator.

International Dateline has an unique sense of immediacy, while being as melancholic as lovers saying goodbye in the wintertime. The punkish beat will make you expect someone singing “Here comes Johnny, he’s gonna do another striptease”, but that’s just one of Ladytron’s area of expertise: raw energy administrated through delicate means. This track will make you think of endings, but endings you don’t want to end. Facing the silence at the end of these four minutes is always desolating.

LET’S END IT HERE

Best Non-Single Masterpieces of 2009

Niki N. Phaser — Wed, 16 Dec 2009 00:21:20 +0000

Yes, I gave in and embraced the cliché of making ‘best of the year’ tops. Still, ‘top’ is a strong word, it sounds so… hierarchical, so definite, things that can be calculated with numbers. Artistic value has a lot to do with the moment. While I’m listening to a great song and I’m really feeling it, I’m not thinking “This song is slightly less wonderful than another great song”. Music is not a sport. When it comes to art, each individual is the judge. Music is the place where the mind and the heart meet, it has nothing to do with other people’s opinions. You should also know that some of the songs from this list might be released as singles in the future, so read the date when this was posted before sharing with your friends… Ok, enough with this mumbo-jumbo, let’s see who made to number 1, people!!!!!

11. Morrissey – It’s Not Your Birthday Anymore

His recent albums are pretty far from the fresh outta The Smiths stuff. I’m talking about the music, because the lyrics have always been briliant – the guy just can’t be topped when it comes to editing ideas into the most simple and yet poetic words. It’s Not Your Birthday Anymore it’s one of the most powerful songs he wrote in years, talking about how politeness and hypocrisy have nothing to do with one’s expression of love: “All the gifts that they gave can’t compare in any way to the love I am now giving to you right here right now on the floor”. LISTEN

10. U2 – Moment of Surrender

Probably the only point where my little top here coincides with that of major music magazines, U2′s Moment of Surrender is by far the highlight of their latest album, No Line on the Horizon. Clocking in at almost seven minutes and a half, this ode to giving up, with plenty of gospel vibes, will make you crave to surrender in any possible way, just so that the song will fit your situation. Bono is not just singing on this, his playing a character. Top form. LISTEN

9. Depeche Mode – Jezebel

Martin Gore always keeps for his own (vocal) self the weirdest tracks on Depeche Mode albums, but then again, in Depeche world, ‘weird’ means unlike anything. It’s quite a cinematic piece of music, a portrait of a lady judged for her unconventional perspective of love: “Open their eyes to the beauty, Open their hearts to the fun, Open their minds to the idea that you don’t own someone”. If it wasn’t for the lyrics or Gore’s innocent voice, you might mistake Jezebel for a Sade piece, but that’s not a bad thing. Is it? LISTEN

8. Editors – The Big Exit

And speaking of Depeche Mode, this track by Editors sounds as if they were really inspired this one time, needed their guitars, but all they were given was an old synthesizer of Martin Gore’s. It might sound demeaning, but, believe me, it’s a compliment, because The Big Exit confirms the alternative band’s choice of a more electro sound as an inspired one. On an echoing big bass, Tom Smith sings about some kind of relationship, but he sounds more threatening than romantic — most likely, that’s the intention. LISTEN

7. The Prodigy – Stand Up

It’s a Prodigy tradition to do on each album stuff they haven’t done before. With Invaders Must Die‘s closer, Stand Up, Liam Howlett achieved what is probably The Prodigy’s only uplifting (‘non-menacing’) sounding beat. This is, in part, due to the Manfred Mann Chapter Three sample from One Way Glass. Of course, Howlett couldn’t have a full-on shinny happy tune in the band’s history, so he ‘patched’ the beat with plenty of dirty synths and insanely loud bass, so that your speakers would still fear it, just like the rest of The Prodigy’s discography. LISTEN

6. Manic Street Preachers – Marlon J.D.

It’s been more than half of year since this came out and I still can’t really explain what draws me so mercilessly to Marlon J.D., why this punkish track with unintelligible riffs and drum machines is as moving as… Samuel Barber’s Adagio for Strings, for example. The Manics are known for their memorable riffs, but with this one, the guitars sound as if they are voices which try everything that would sound good on the given rhythm. The vocals themselves make you believe that reality is a musical where the deepest pain can be expressed, in tune with the bassline. LISTEN

5. The Killers – A White Demon Love Song

You may or may not be a fan of the movie, but New Moon is one interesting compilation for your indie tastes of late 2000′s. The Killers wrote A White Demon Love Song for the movie, so you woun’t find it on any of their albums (so far). It sounds as if they had a lot of fun with this one, because, despite being about a demon, it has that country-growing-up-near-Mexico thing that Brandon Flowers and co. seem to sport as often as possible. Yet, it’s not a parody, but an ethereal ballad, which uses all means to conjure an unique love anthem. LISTEN

4. Placebo – Speak in Tongues

Brian Molko stated on several occasions that this is his main pick from Battle for the Sun and, for what it’s worth, his opinion could be considered valid. The song has a slightly irregular structure, meaning that from a verse-chorus-verse-chorus thing it turns into this building epic. Lyrically, we hear the same strange metamorphosis from abstract lines like ”Kitty came home without a name” to the eco-slogan-sounding “We can build a new tomorrow today”. Some extra points for the choral part in the middle and the use of the word ‘blasé’… LISTEN

3. Tori Amos – Fire to Your Plain

Though not a perfect album, Abnormally Attracted to Sin adds some valuables to Tori Amos’ 20 years career, like this slick bluesy little thing about a love triangle (?): “I am low, Watching you,Watching her play this game”. We encounter the kind of subtly orchestrated chorus we heard on Girl, for example, from Tori’s first album, though in a different tone. This is also one of those special cases where Her vocals are just as sarcastic as the lyrics. It’s not a single, but it has been graced with a cool video. LISTEN & WATCH

2. Alice in Chains – Black Gives Way to Blue

Grunge idols made a significant return this year, with a new singer replacing the demised Layne Staley and, of course, they couldn’t make an album without carving their love for the ex-bandmate in the shape of a three minute ballad, that will have you contemplating whoever is missing from your life. With Elton John on the piano, this deploring of life resignation (“I Dont wanna feel no more, It’s easier to keep falling”) might be the best rock tearjerker of the year. It will slow you down and force a moment of reevaluation. LISTEN

1. Little Boots – No Brakes

It’s all about looking towards the future and this year’s crop of new artists is one for the books. As far as Little Boots is concerned, 2009 was practically just her debut, so 2010 can’t come fast enough. In the same manner of 80′s retro pop, but with a hot twist, which made New in Town a hit, No Brakes is one perfect pop song, with plenty of feel, as well as well-crafted metaphorical lyrics. Synth bass and bells, catchy hooks, this is the kind of music suited for everyone and everywhere (ok, that’s a bit too much, but you get the idea). LISTEN

New Depeche Mode Double Single To Be Released

Niki N. Phaser — Mon, 16 Nov 2009 14:24:30 +0000

Depeche Mode are greeting the holiday season with two new singles released as a Double A side. The two songs in question are Hole to Feed and Fragile Tension, lifted from their spring-born album, Sounds of the Universe. The single will be released on December 7th and the full tracklisting includes an impressive batch of remixes, not just of the two songs, but also of previous single, Peace, and of other tracks from the new album (Come Home and Perfect).

There is also a video to help promote, but only Hole to Feed, unfortunately. In more than one way, Fragile Tension would have deserved the extra attention. On the other hand, the strange video for the aforementioned song doesn’t really do it justice, Eric Wareheim’s vision, while bound to spark some reaction, being a bit too… 90′s in its attention craving direction. The band members are not in the video, but we all got used to that by now.

This is the second single in the history of Depeche Mode to be written by singer Dave Gahan and collaborators, Christian Eigner and Andrew Phillpott and one of the three songs authored by the trio to feature on Sounds of the Universe. Depeche Mode are currently continuing their seemingly ill-fated Tour of the Universe, marked by a number of cancellations caused by Gahan’s health problems: doctor’s orders for vocal rest, a leg injury and gastroenteritis in the tour’s debut days. It seems that despite his… devotion, the universe is not on his side…

UPDATE: Depeche Mode have indeed released a video for the other single involved, Fragile Tension, on November 20.

HOLE TO FEED video FRAGILE TENSION video

The Prodigy – Diesel Power : It Really Does Blow Ya Mind

Niki N. Phaser — Sat, 25 Jul 2009 17:15:53 +0000

We all know (or do we?) the story of The Prodigy’s The Fat of the Land album and how, because of it, the rave elders of the tribe ruled the world for about two years, before taking a long break. The three singles released from this album, Breathe, Firestarter and Smack My Bitch Up have all made history: the videos included in almost every countdown of controversial mv’s, the tracks covered and remixed by legions of dj’s, they haven’t missed from any live set of the band ever since. But an album does not achieve such success and notoriety on singles alone. Amongst non-single masterpieces like Funky Shit, Mindfields or Climbatize, we also encounter the first official collaboration between Liam Howlett and rapper Kool Keith of Ultramagnetic MCs fame. The hip-hop crew is one of Howlett’s favourite to sample, but this is the first time Kool was actually invited to do the vocals and the lyrics. Before being included on the album, the track used to be played live, known as Blow Ya Mind with Maxim doing some freestylin’ over the beat. The Kool version retained the chorus “Blows your mind drastically, fantastically” and most importantly, the sick d’n'b line, punctuated by a base hit that will test ya speakers and blow ya mind, all in one. It’s interesting that despite hip-hop being one of Howlett’s primal preferences, this is about the only Prodigy tune that would qualify in this genre. It is one of their most powerful tracks, displaying once again Howlett’s ability and pleasure of creating beats that no matter at what volume you play them, they still sound too loud for the neighbours.

LIVE PERFORMANCE OF Blow Ya Mind IN 1996

Madonna – Forbidden Love : Deep Dance

Niki N. Phaser — Thu, 23 Jul 2009 20:38:41 +0000

Confessions on a Dance Floor marks another stage and another successful comeback in Madonna’s career, bringing in record numbers all over the world and creating the inertia on which Hard Candy‘s triumph was originated. Lead single Hung Up also did its part of the job, as well as the other three that followed. If choosen as a single, Forbidden Love would have surely prooved to be a hit, but, truth be told, it’s not just pure dance energy like Hung Up, for example. This track holds the strange combination of being a very danceable serious song. It sounds as profound as some Gregorian piece and yet it’s filled with ethereal synths and powerful beats, which make the song seem like a really dirty ‘da-club’ remix, all courtesy of Stuart Price aka Thin White Duke. The somber electro moods do a great job in emphasizing the grandeur of the song’s theme. Love is regarded from a philosophical/existential point of view: “Are we supposed to be together, We seal the destiny forever”. It’s written so that it would fit any kind of ‘forbidden love’ and no matter how free-minded we think the world is there are still plenty of forbidden loves out there. Just think about it, there are plenty of loves you yourself would forbid… In live performances on her Confessions Tour, Madonna went for some religious meaning, brilliantly suggested through coregraphy as you can see in the following video:

LIVE PERFORMANCE OF Forbidden Love

Apoptygma Berzerk – Apollo (Live On Your TV) : Energy

Niki N. Phaser — Thu, 23 Jul 2009 12:34:18 +0000

Apoptygma Berzerk, a Norwegian futurepop band, has tackled mainstream success, especially with their 2005 album You and Me Against the World, but never quite make it in becoming a household name, other than in their own field. Their last album continues a more accessible sound, that distances them from the euro-futurepop scene which they practically help build in the 90′s. Released in January 2009, Rocket Science is probably one of the best albums to come out this year and also one of the most underestimated. It’s filled with powerful tracks, like Black vs. White, The State of Your Heart – Shit End of the Deal, Trash or Shadow. But, to respect the band’s choice, I’ll recommend for starters their first single off of Rocket Science, Apollo (Live On Your TV). If released by any mainstream band, this song would have most likely became one the biggest hits this year. The catchy keyboards and the energetic guitars would make anyone instantly start jogging. And smile while doing it. And when say ‘anyone’, I mean anyone, but old Apop fans, who are mostly disappointed with Stephan Groth’s new pop direction. Also, Good Charlotte fans should know that Benji Madden makes a vocal cameo on Apollo (Live On Your TV).

And P.S. Despite rumours, Stephan Groth is not Brian Molko’s older brother…

WATCH THE VIDEO FOR Apollo (Live On Your TV)

The Prodigy new single: Take Me to the Hospital, the one the hardcore crowds were waiting for

Niki N. Phaser — Sat, 20 Jun 2009 11:09:18 +0000

British rave-masters, The Prodigy have announced Take Me to the Hospital as their new single from Invaders Must Die. It will be released in August. There are also a number of new films to come our way, exclusively through Babelgum. They were shot by Duggers, so fans in touch with the band’s youtube page know what to expect. The footage will include live performances (including Run with the Wolves), behind the scenes series, as well as a mini-movie.

No doubt, updated fans were expecting Take Me to the Hospital as the new single, since Liam Howlett was considering it even before Warrior’s Dance. On the other hand, the crowds demand it, the heavy rave anthem being a favourite at live shows. Omen and Warrior’s Dance were the more obvious single from the album, this one is a gift for the hardcore followers.