Niki N. Phaser

As the image indicates, this review is about the Music from and Inspired by The Jackal soundtrack of the 1997 action thriller, starring Bruce Willis and Richard Gere. This “discrimination” doesn’t mean that the other album, containing Carter Burwell’s score should be disregarded. In fact, some of the tracks from there would fit inconspicuously on this album, Burwell being one of the most versatile film composers of the last two decades. His slick combination of electronica and a traditional score creates the real sonic trademark of the movie. That and, of course, the opening track, Massive Attack’s Superpredators, which sets the tone for the violence that is to follow and creates a memorable title sequence in the process.

(continue reading…)

We all know (or do we?) the story of The Prodigy’s The Fat of the Land album and how, because of it, the rave elders of the tribe ruled the world for about two years, before taking a long break. The three singles released from this album, Breathe, Firestarter and Smack My Bitch Up have all made history: the videos included in almost every countdown of controversial mv’s, the tracks covered and remixed by legions of dj’s, they haven’t missed from any live set of the band ever since. But an album does not achieve such success and notoriety on singles alone. Amongst non-single masterpieces like Funky Shit, Mindfields or Climbatize, we also encounter the first official collaboration between Liam Howlett and rapper Kool Keith of Ultramagnetic MCs fame. The hip-hop crew is one of Howlett’s favourite to sample, but this is the first time Kool was actually invited to do the vocals and the lyrics. Before being included on the album, the track used to be played live, known as Blow Ya Mind with Maxim doing some freestylin’ over the beat. The Kool version retained the chorus “Blows your mind drastically, fantastically” and most importantly, the sick d’n'b line, punctuated by a base hit that will test ya speakers and blow ya mind, all in one. It’s interesting that despite hip-hop being one of Howlett’s primal preferences, this is about the only Prodigy tune that would qualify in this genre. It is one of their most powerful tracks, displaying once again Howlett’s ability and pleasure of creating beats that no matter at what volume you play them, they still sound too loud for the neighbours.

LIVE PERFORMANCE OF Blow Ya Mind IN 1996

Apoptygma Berzerk, a Norwegian futurepop band, has tackled mainstream success, especially with their 2005 album You and Me Against the World, but never quite make it in becoming a household name, other than in their own field. Their last album continues a more accessible sound, that distances them from the euro-futurepop scene which they practically help build in the 90′s. Released in January 2009, Rocket Science is probably one of the best albums to come out this year and also one of the most underestimated. It’s filled with powerful tracks, like Black vs. White, The State of Your Heart – Shit End of the Deal, Trash or Shadow. But, to respect the band’s choice, I’ll recommend for starters their first single off of Rocket Science, Apollo (Live On Your TV). If released by any mainstream band, this song would have most likely became one the biggest hits this year. The catchy keyboards and the energetic guitars would make anyone instantly start jogging. And smile while doing it. And when say ‘anyone’, I mean anyone, but old Apop fans, who are mostly disappointed with Stephan Groth’s new pop direction. Also, Good Charlotte fans should know that Benji Madden makes a vocal cameo on Apollo (Live On Your TV).

And P.S. Despite rumours, Stephan Groth is not Brian Molko’s older brother…

WATCH THE VIDEO FOR Apollo (Live On Your TV)