Niki N. Phaser

    2010 comes with the promise of new talent, as all years, for that matter. One lady we should keep an eyelid on is Marina Diamandis aka Marina And The Diamonds, whose debut album, The Family Jewels will grace us on February 15. And if you’re wondering what’s with all the excitement, just listen to Hollywood, the single which gives us a taste of what’s to come. Despite Marina’s voice sounding more suitable for 90′s feminist grunge, Hollywood is the perfect upbeat new-wavey pop pill, with plenty of wink sarcasm (“Oh, my gawwwd, you look just like Shakira”) to differentiate it from the r’n'b pop we are used to. Another omen (or is it a clue?) is the fact that Hollywood‘s video is directed by Kinga Burza, who just so happens was the author of Katy Perry’s video for I Kissed a Girl. It’s also cool that Marina looks her Greek/Welsh origins, so maybe we’ll get our generation’s very own Irene Papas. It woun’t be long now till ‘we’re all obsessed with the (beautiful) mess that’s Marina’…

See What I’m Talking About

Vangelis’ career is one of many interesting contrasts and considering that he started making music at the age of four, it’s only natural that he explored quite a few genres before becoming the synth-guru he is known today. Less famous than Aphrodite’s Child, his international successful band with Demis Roussous, is his first musical pack, The Forminx, which were the Greek version of The Beatles’ craze, that swept pretty much the whole world and bred countless clones, one (or more) for each country. The Forminx were quite a hit in 1960′s Greece, after seducing the youth with their catchy rock’n'roll tunes and innocent schlagers. In the latter category, Love Without Love holds an honourable place. The English lyrics sung with a bit of accent, the strange choice of words here and there (”You understand me so much”), Toto’s trumpet, they all provide Love Without Love with the 60′s charm of European schlagers. But beyond that, this is a very well done piece of music, that doesn’t conjure up laughs, but a real emotional response in the listener and hypothetically ‘translated’ into contemporary music production, it would prove to be a masterful tearjerker ballad.

LISTEN TO Love Without Love