Niki N. Phaser

             In a recent blog post on his official website, Linkin Park/Fort Minor member, Mike Shinoda gave fans an update on LP’s new LP. The band had their first meeting of the year, regarding the evolution of their future album, expected to be released, sometime in the summer/autumn of this year. It will be their fourth and the follow-up to the successful Minutes to Midnight. The MC seems happy with the way things are going and emphasizes a lot on the new direction of their recent songs. He even talks about initiating a new genre with this one, so the pressure to not repeat themselves seems to be really off. He also teases the army of fans, waiting for any new information: “I was going to tell you guys the working titles…but I changed my mind”, he writes. Though not a concept album, the new material is, so far, tied by “some thematic threads”, the producer also admits. Five songs are almost confirmed, with another 15-20 being worked on, a batch from which the final tracklisting is supposed to be picked. In earlier reports, there was talk of a more electronic sound, Blade Runner-inspired, but, as we all know, an album has many  gestation periods, so we’ll just have to wait and hear.

        With 2005’s Demon Days, Gorillaz evolved from a corky-but-cool experiment of Damon Albarn’s to a mainstream, chart topping venture. And it’s no wonder, considering that Feel Good Inc. became such an anthem of this decade. So did Dare. It was a bit of a surprise that the album’s second track, Last Living Souls, was disregarded as a single. It’s not as bassline infectious as Feel Good Inc., but there are plenty of catchy synths to make you love the song at first contact. Albarn’s vocals have that brit boredom in them, that should be familiar to Gorillaz fans. There is also an interesting 70’s American folk moment in the middle. The lyrics, well, they complete what Feel Good Inc.’s video started — the song gives you the impression that someone is discovering a new world (but takes the time to smoke a fag before exploring). You might not get the urge to dance to this tune, but you will want to walk in a really cool way while it’s whispering in your headphones…

LAST LIVING SONG

We all know (or do we?) the story of The Prodigy’s The Fat of the Land album and how, because of it, the rave elders of the tribe ruled the world for about two years, before taking a long break. The three singles released from this album, Breathe, Firestarter and Smack My Bitch Up have all made history: the videos included in almost every countdown of controversial mv’s, the tracks covered and remixed by legions of dj’s, they haven’t missed from any live set of the band ever since. But an album does not achieve such success and notoriety on singles alone. Amongst non-single masterpieces like Funky Shit, Mindfields or Climbatize, we also encounter the first official collaboration between Liam Howlett and rapper Kool Keith of Ultramagnetic MCs fame. The hip-hop crew is one of Howlett’s favourite to sample, but this is the first time Kool was actually invited to do the vocals and the lyrics. Before being included on the album, the track used to be played live, known as Blow Ya Mind with Maxim doing some freestylin’ over the beat. The Kool version retained the chorus “Blows your mind drastically, fantastically” and most importantly, the sick d’n'b line, punctuated by a base hit that will test ya speakers and blow ya mind, all in one. It’s interesting that despite hip-hop being one of Howlett’s primal preferences, this is about the only Prodigy tune that would qualify in this genre. It is one of their most powerful tracks, displaying once again Howlett’s ability and pleasure of creating beats that no matter at what volume you play them, they still sound too loud for the neighbours.

LIVE PERFORMANCE OF Blow Ya Mind IN 1996